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Hall
of the Months
Borso, his successor, commissioned a self-celebratory work revealing the connection between his dynasty and fate, between his every action on earth and the plan of the universe. The frescoes painted between 1469 and 1470 were conceived by Cosmè Tura - leader of the Officina and the only one of its representatives to work exclusively in Ferrara - in agreement with Pellegrino Prisciani. The remaining Months show traces of Francesco di Cossa, Ercole de' Roberti and unknown artists like the so-called "Maestro degli Occhi Spalancati" and “Maestro di Ercole”. The three segments of decoration that make up the cycle are honzontally linked, while each month can be read vertically: below, episodes from the life of Borso d'Este; in the middle the signs of the zodiac accompanied by decans, human figures connected to constellations, the legacy of an archaic oriental astrology that modern man can no longer decipher; above, the triumph of the divinities that rule the Months. The frescoes sum up the symbolic importance of a culture that looks to humani tas but is still fascinated by mystery and the irrational - many of the enigmas have yet to be solved, which may have been the intention of their creators; |